Category Archives: PC Reviews

Necronator: Dead Wrong – Review

Have you ever been in the middle of a round on one of those browser tower defence games and sat back and just wondered about who exactly is behind the seemingly endless legions of baddies who are practically throwing themselves at your impenetrable defences? Well, Necronator: Dead Wrong, which has just received a full release having recently left early access, is a game to answer that question. Uniquely told from the attacker’s perspective, it combines elements from both the deck-building and real-time-strategy into a proudly quirky and distinctly different experience that will likely have you coming back time and time again for more.

Tower offence


The plot follows the exploits of a young evil-doer fully trained up in all sorts of villainy, having recently graduated from the ‘Undead Academy’, who is aiming to become the greatest necromancer in the rather ironically named fantasy world of Livmore. Joined by a ‘chubat’, an adorably squishy looking winged purple comrade, players must rampage across Livmore winning challenging battles, recruiting armies of troops and just generally leaving a trail of death and destruction in your wake.

When you start the game, there are three available protagonists to choose from with one, the Death Knight, available right away and the other two being unlockable via in-game progression. With slightly different story interactions throughout their campaigns, each protagonist has their own unique abilities and card decks, giving them unique playstyles. Your character’s decks and abilities are utilised in the game’s combat sections, which involve using cards from your deck to dispatch troops along paths, much like the lanes of MOBA titles, towards an enemy base and to heal or provide buffs to your army.

Your current hand is shown at the bottom of the screen and each card is labelled with a set amount of mana which must be spent to play the card. Mana is generated predominantly by your home building or when by captured enemy defences You mana can too be used to discard your hand and draw new cards from your deck – particularly handy a few hours in, when you have obtained a deck of considerable size.

It’s good to be bad


Although the initial few levels being almost incredibly easy, completed in a matter of seconds by simply spamming all your units, difficulty soon picks up and I was pleased to discover that there is a shocking amount of strategy required in order to get past the later levels. Becoming acquainted with the individual stats and properties of the cards in your deck is a must if you want to get very far, and I found that keeping track of which cards I had already played in a game in order to try and predict the ones which would enter my hand next both kept me one step ahead of my adversary, making winning the fight extra rewarding.

No matter how much you think things through however, battles still rely partly on chance. The cards selected to enter your hand are chosen entirely at random from your card pool and the same goes for that of your enemy. Whilst strategy is undeniably effective, this randomness stops the player from becoming too complacent and, despite sometimes becoming a source of unparalleled frustration, keeps each battle feeling fresh and exciting. Keeping battles engaging is particularly important for Necronator; with death converting all of their progress to overall character XP and setting the player right back to square one.

XP levels up your protagonist, unlocking new starting decks and abilities. Alongside gaining cards to bolster out your deck, succeeding on the battlefield grants “souls” which players can spend on upgrades. Cards can be purchased directly in their upgraded forms through the shops littered about the map or alternatively upgraded in camp. The opportunity to set up camp is granted to the player every few levels and allows them to upgrade cheaply, heal or pay a small fee to remove cards from their hand. You can, however, only select one of these options before being forced to move on.

This creates an interesting conflict between maintaining your health and increasing the power of your deck. Alongside better stats, enhancing cards unlocks new visual sprites for your units who are now seen with visibly more durable armour or a more menacing looking improved weapon in their hands. In addition to being a nice bit of attention-to-detail, this helps give a good sense of progression to your deck and I enjoyed being able to actually see my troops becoming more powerful throughout the game.

There are a number of random encounters to be discovered throughout the game, marked by a mysterious question mark on the map. These give the player some choices to make, granting powerful cards if successful but simultaneously run the risk of crippling unlucky players with debuffs. The sheer number of different decisions to be made throughout the campaign, as well as the vast number of cards that can be added to your deck, makes losing feel less like a chore than an opportunity to start over and experiment with new card configurations or discover events and outcomes you may have missed. Furthermore, the inclusion Steam Workshop support does wonders for replayability, allowing players to create and share everything from custom-made game modifiers to full-length story campaigns.

Unfinished business


Outside of combat, the game’s map is pleasantly drawn with its soft colours and cartoon-like style complimenting the game’s cutesy hand-drawn character designs well. Battles themselves, on the other hand, are presented from an isometric perspective the presentation of each battlefield in a small square area, which can be rotated and explored by the camera. I found that it was far easier to focus with concentration focused on a small area and kept even the most frantic of fights from feeling too overwhelming. Older gamers will likely find the box-like arenas, three-dimensional scenery and two-dimensional pixelated unit sprites a pleasantly nostalgic combination, being particularly reminiscent of early strategy games like Disgaea.

This influence is also apparent in the game’s writing, which follows a similarly comic tone. I found the light-hearted pre-battle dialogue to be a constant source of amusement whilst the sardonic interactions with the game’s cast of punnily-named boss characters contains its fair share of genuinely laugh-out-loud moments. It’s a shame that this dialogue becomes far less entertaining when it is repeated verbatim at the same points in every single playthrough. The pre-battle dialogue from Chubat is a notable offender in this regard, which each area only having a handful of lines which play out before each battle. What’s there may be very good, but it’s a shame there simply aren’t enough unique lines to keep you from instinctively skipping dialogue interactions.

The title’s music, although by all means wholly satisfactory, was on the whole a little blander than I expected for a game which is otherwise oozing with personality. This is quite nit-picky, but it would also be nice if the game’s tutorial, which is relegated to a small tick-box on the game creation menu, was made a little more apparent for new players as launching the game for the first time and missing the tutorial made for quite a confusing experience.

Despite having left early access, the game is still receiving frequent content and quality of life updates based on user feedback, so I’m confident that these small nagging issues will be resolved in future patches.

Verdict:


Despite some very minor shortcomings, the entertaining writing and engaging visual flair elevates the game’s experimental gameplay combination of addictive deck-building and unpredictable real-time strategy. Cute and colourful, Necronator: Dead Wrong is one unique strategy experience you won’t soon forget.


Just so you’re aware! In order to facilitate a review this product was given to our organisation free of charge.

Panzer Paladin – Review

Whether you’re a long time player who’s chasing the thrill of childhood nostalgia or a more recent arrival to the gaming world who is simply trying to live the highlights of an era gone-by, there’s nothing quite like a great retro-styled platformer. After a few hours with the recently released game from the platforming gurus over at Tribute Games, I can report that Panzer Paladin is exactly that – a great retro-styled platformer that will certainly scratch your itch for all things 8-bit.

Gundam style


The game opens with a quick tutorial level, which introduces the core mechanics of Panzer Paladin‘s gameplay. In short, you play as the pilot of a powerful mech suit – the titular paladin – and must utilise this suit to navigate sprawling levels populated by evil demons which have escaped from the underworld. These demons appear in a number of forms including horrible insects, evil knights and even knife-throwing goblins. Each enemy poses a unique challenge, with distinctive attack patterns with must be learned to ensure success in combat.

Players can employ the mech’s in-built defences, a somewhat weak fire-ball attack, or take advantage of the plethora of oversized medieval melee weapons dropped by enemies. Paladins are able to carry a large number of these dropped weapons, each of which carries its own attack range, damage stat and durability meter. These values, which can be viewed in the game’s pause-menu work about how you would expect. Weapons like spears have large ranges and high durability but comparatively low damage when put against the likes of swords or clubs. Having your items frequently break may sound like a chore on paper, but in practice it ensures you experience the wide range of weapons on offer and incentivises you to pursue higher-level, and therefore more durable, weapons.

You can manually break your weapons by holding a button. This destroys you currently selected item but unleashes a unique-power attack, the strength of which depends predominantly on the power of the weapon you are sacrificing. It’s an enjoyable and effective way of disposing of any lower-level items you might pick up and can come in extremely handy in a fight. Weapons can also be tossed a high speeds and throwing a spear at an out of reach enemy is an awful lot of fun. You still have to be careful though, because tossing away all your weapons willy-nilly can leave you highly vulnerable until they are retrieved.

In addition to combat the game also features some light platforming elements which have you avoiding trapdoor platforms, exploding mines and spike pits galore. These sections are made easier by leaving ejecting from your power-armour which renders you more smaller and more mobile at the cost of lower health and the inability to pick up and use weapons. There are also some small puzzle-like optional elements in levels centred around breaking parts of the environment or ejecting from your suit at specific points to enter small gaps. Completing these is often rewarded with a bonus health regeneration station or unique weapon.

A world at your fingertips:


One of the first thing’s you’ll notice about the game is it’s striking art-style, a faithful recreation of colourful 8-bit graphics. Each of the thirteen levels is based upon a real-world country, selected from a world map-style level select screen, and carries its own distinctive art style. The portrayals of each country may be a little on the stereotypical side but they provide a great variety. One minute you’re taking in the spooky gothic atmosphere of an ancient Scottish castle and the next you’re navigating the bustling streets of New York. I was also pleased to notice that the game’s bosses, which are situated at the end of each level, were all loosely based upon mythological creatures native to each country’s lore. The stages themselves are accompanied by their own fantastic theme songs, featuring an exciting blend of typical 8-bit beeps and more sophisticated elements clearly inspired by each nation’s traditional instruments. Each boss fight also comes with its own, more generic, combat theme.

From the map-screen, players can also access the “laboratory” in which they can use their “spirit points” – gained by completing levels – to upgrade their weapons. An upgrade system is a nice feature to have, but it is made pretty redundant by the fact that you still have to find the weapons each level to use them with the large number of available weapons making it quite tricky to actually encounter the specific one you have just poured all of your points into. Luckily, although these upgrades do undeniably improve weapons they are certainly not necessary to complete the game and in my playthrough the availability of powerful weapons in levels meant I never really felt held back by a lack of upgrades.

The game also features an in-depth weapon creator which allows users to create their own pixel-sprites and stat sheets. Your creation uploaded directly to the Steam Workshop on PC and automatically integrated into everyone’s games. Players can find community created weapons dropped randomly by higher level enemies and the potential of finding all-new weapons contributes greatly to the replayability of the game. If for some reason though you want to stick to only the developer-made weapons, the community content can be disabled at any time via the settings menu.

In addition to encountering all new weapons, replays are encouraged by the remix mode and speedrun mode. As the name would suggest, remix mode alters the levels of the campaign mode by altering enemy placements to create a more challenging experience whilst speedrun mode challenges players to beat “ghost” versions of either their previous playthroughs or those of the top global players.

Lost the plot


I found the only real major issue with the game to be the result of questionable PC optimisation. The default keyboard control scheme can be described as ‘unintuitive’ at best and makes a game with an old-school approach to difficulty borderline impossible at times – even on easiest settings. Thankfully, this is easily remedied through either picking up a cheap PC compatible controller or purchasing the Nintendo Switch edition of the game; it is worth noting that this edition doesn’t include the Steam Workshop features, however, for obvious reasons.

The game’s plot, which is presented through some admittedly superbly drawn retro pixel-art cutscenes, is pretty straightforward and I found that, despite their prettiness, being bombarded with walls of text at the end of an otherwise exciting level made me pretty eager to skip them; particularly in some of the longer story segments. It would also be nice to have the option to change the in-game font as, although the blocky text is undeniably authentic, I found it a bit hard to read at times. These criticisms may seem to be a little nit-picky, but there’s really very little wrong with the game besides these minor niggles.

Verdict:


When it comes to retro-styled platformers, this is certainly one of the best we’ve seen yet. It may not entirely reinvent the wheel conceptually but Panzer Paladin still has a host of fantastic features and a great art direction. Any fans of the genre will certainly appreciate a particularly well crafted set of maps, some killer music and gameplay which has undeniably been tweaked to perfection.


Just so you’re aware! In order to facilitate a review this product was given to our organisation free of charge.

The Otterman Empire – Review

There doesn’t seem to have been much to celebrate recently but that certainly doesn’t stop us from being in the mood for a good party game. The Otterman Empire from indie developers Tri-Heart Interactive is one such game. A bright and colourful co-op shooter in which you play as adorable otters, might just be the you need to keep you and your friends cheerful when times are tough.

A l(otter) heart


Set on an intergalactic space colony, The Otterman Empire places players in the shoes of a customisable aquatic warrior who is tasked with defending the planet against the evil mad scientist Dr Tiko by destroying his seemingly endless army of malevolent machines. Players can face this challenge with up to three friends in local co-op play or opt to face it alone in single-player. There are eight selectable characters to choose from, each with a unique design and diverse selection of unlockable cosmetic items to discover.

From a visual standpoint, The Otterman Empire is a pretty good all-rounder. The colour palette is bright and cartoonish, perfectly complimenting the game’s character’s colourful designs. I found all of the eight included maps to be intriguing, each one covering a distinct visual theme. These range from a futuristic sport themed space arena to the gardens of a mediaeval looking castle. My personal favourite was the game’s first map, a sleek futuristic city environment which was both gorgeous to look at and a lot of fun to explore.

Your progress through the game is mapped, if you’ll pardon the pun, by the maps you unlock through playing. Each one has three alternate game-modes to try with a potential of nine total stars to unlock – three stars being the highest obtainable rating per game-mode. By unlocking a sufficient number of stars, you gain access to the next map. In theory, this ensures the player will spend a sufficiently long amount of time in each map to get really to grips with it. but in reality, this system just becomes a bit of a slog after a while; with players forced to repeatedly go over the same maps in order to get a high enough rating to progress.

In spite of the forced repetition, the different game-modes which are on offer in each map are nevertheless pleasantly varied. My personal favourite was ‘squidditch’ a fast-paced mode which challenges players to use their jetpacks to slam dunk as many bombs into enemy spawning portals as possible. Both jetpack fuel and ammunition is replenished through sliding gaily along waterways which are dotted along maps and additionally serve as a quick method of transportation when you’re in a hurry. The other game-modes on offer are similarly unique and all require a distinct set of skills for players to master.

Not quite a party


It is a huge shame that no matter which map or mode you choose to play there seems to be only two total enemy types found throughout the entire campaign. There are stationary turrets which will blast any player unlucky enough to stumble into their field of view with a laser beam and smaller, laser-firing flying drones, which are often equally as stationary. The strategy for tackling both enemy types is the same, unload as many shots into them as quickly as you can, and this tangible lack of enemy variety causes gameplay to become incredibly stale in only a matter of minutes.

Overall, the campaign mode offers a few interesting modes to try out, but the seeming lack of effort put into enemy design and behaviour leaves the whole ordeal feeling like one big wasted opportunity. It can be tackled in both a single player or as part of a local co-op but why anyone would actually want to play the campaign in co-op, and not the far more interesting versus mode which does away with the boring robot enemies, is beyond me.

Sitting down with the versus mode and having your buddies blast away at each other’s otter avatars is an awful lot of fun! It allows you to return to your favourite maps and revitalises the more interesting game modes from the campaign. PC users also have the option of Steam‘s ‘Remote Play Together’ with which you can invite a friend to play a livestreamed version of your game through an integrated browser window. It is entirely reliant on the other player having both a fast internet connection and USB controller on hand, but does you the chance to play the game with people who are not in the immediate vicinity.

Otterly baffling


I am happy to report that since launch, the game has received numerous patches and small updates – the most significant of which was a fix for the PC version of the title, which launched with a borderline unusable keyboard control scheme. It would be nice to see some further additions to help improve the overall polish of the game.

A notable area for improvement is the audio design. Whilst most of the included original music is good, the audio design of the in-game dialogue definitely needs some work. With no actual sound effects beyond a few frequently repeated, and strangely quiet, soundbites, the character interactions of both the campaign and tutorial feel completely lifeless. Another appreciated addition would be a reworking of the game’s graphics menu, which still doesn’t include basic options like changing the window’s resolution or even just the option of playing the game in windowed mode!

The UI on PC is absolutely huge and there is absolutely no way to resize the text and buttons so that they don’t occupy large areas of the screen. Simply addressing these few basic issues would go a huge way in improving the title’s overall look and feel. It would also be nice if damage taken was more obviously communicated to the player. It’s hard to keep track of your health in the heat of a battle and there were many occasions when I didn’t even know I was taking damage until I had died.

Verdict:


The saddest thing about The Otterman Empire is that the game is almost good. Whilst there has evidently been a lot of love and passion behind the title’s unique art-direction, quirky writing and superb community management over the years; a number of baffling design missteps and a lack of overall polish unfortunately prevents me from being able to wholeheartedly recommend this title. It isn’t an inherently awful option if you’re craving a local co-op fix, but many would-be players will likely find that the game’s current issues are just a little too hard to swallow.


Just so you’re aware! In order to facilitate a review this product was given to our organisation free of charge.

Hunting Simulator 2 – Review

If you are yearning for a taste of the great outdoors this summer, what better way to experience it than through a computer screen? I’m serious! No more will you have to put up with long travel times to reach a remote destination; no more painful struggling under the weight of an overly-heavy rucksack and, best of all; no more awful, itchy mosquito bites! Hunting Simulator 2 is one game that promises to surpass the fun of stepping outside through providing a faithful recreation of going hunting in the distant wilderness which you can experience all from your sofa.

The great outdoors


The first thing that struck me about the world of Hunting Simulator 2 was its graphics. Few games attempt a wholly photorealistic look, instead opting for some degree of stylisation, but here the environments around you look about as realistic as they come. The forest environments are lush with huge valleys, streams, rock formations, cabins and countless trees that really benefit from the game’s superb lighting engine. The first time I saw sun rays piercing through a jagged treeline on a backdrop of snowy mountains I was blown away by just how great it all looked.

Whilst some of the six included maps, particularly those set in Colorado and Europe, follow pretty much the same art direction and feel very much the same as one another in play, the Texas and Savannah environments are a refreshing change of pace. These wider, flatter environments have little in the way of plant life and are painted with a radically different colour palette. All three maps present a different set of challenges for the player to overcome and contain a solid variety of distinct animals for you to hunt.

It’s also worth noting that parts of the included maps are based on real locations. Although I cannot fully vouch for their authenticity, having never actually visited any of the nature reserves or national parks that are featured, I can safely didn’t spot any obvious discrepancies when comparing the in-game Colorado locations to photos of the real world Roosevelt National Forest and Pawnee National Grasslands I had found on the internet.

When you’re not exploring the outdoors, you can explore your hunting lodge. This small area serves as your hub world, allowing you to access the in-game shop and change your gear. When you first launch the game, your lodge feels eerily empty as there are many blank spots allocated for you to display your hunting trophies and a gun room which showcases all of your purchased weapons. Watching your lodge gradually fill up with trophies and tools as you progress through the game is quite satisfying, and there are enough customisable display spaces to allow you to feel like you’re lodge is somewhere truly unique to you.

The lodge also allows you to, through interacting with a laptop situated on a coffee table; access the in game shop – portrayed as an in-universe website. The shop lets you pick up a plethora of new guns, all faithful recreations of real world models and brands, in addition to a wide selection of useful tools and clothing that you can use to customise your character. Like the weapons, the clothing is also based upon real brands and serves a more practical purpose beyond just aesthetics by helping you blend in more easily with your surroundings.

Money is gained by selling the animals you have killed on your hunts, with credits awarded based upon the stats of the animal and where exactly your shot has hit. This is the cornerstone of the game’s basic gameplay loop. You hunt animals to earn money, which you then use to upgrade your gear and then in turn allows you to hunt more animals and thus earn more money. To stop you snowballing through the game too quickly, and adding a further degree of realism, a hunting licence is required for a species of animal before you can legally kill it. These work on a per region basis, are quite pricey and can only be purchased from your lodge.

The licence system means you’ll end up travelling back to your lodge quite frequently and the harsh fines incurred for killing animals without a licence penalises players who become a little too trigger-happy.

Man’s best friend


Despite the large number of available weapons, the majority of gameplay involves tracking animals rather than shooting at them. Players are granted a canine companion in the tutorial section of the game who is able to detect and follow animal’s trails automatically. There are a few dogs available to purchase from the in-game shop, each with slightly different base stats which upgrade gradually as you spend more time with your companion. You can even name your dogs and, perhaps most importantly of all, pet them whenever you like.

Whilst the AI of your animal companion is overall serviceable, only occasionally glitching out or getting stuck, the creatures you are hunting showcase considerably more advanced artificial intelligence. The time my slow stalking of some of deer was loudly interrupted by the arrival of a huge bear was both very exciting and very memorable. These organic animal encounters, whilst sometimes a little inconvenient, make the game world feel considerably more real than those found of most other hunting games I’ve tried, in which the worlds feel more like a virtual shooting gallery that exists specifically for the player rather than anything particularly real.

Near miss


Although the game’s gunplay is suitably satisfying, I found the reloading animation for some weapons appeared a little stiff and unnatural. Playing in the third-person mode only exacerbates this issue, as it places the unimpressive character models, which are otherwise seldom seen, in the forefront. It’s not that the animations or character models are particularly poor by any means; they just don’t seem quite up to the high standard set by other aspects of the game’s visuals.

I found that, on the Xbox One version of the game at least, there were in-frequent bouts of lag and the occasional bit stuttering throughout my playtime. I also encountered an annoying bug in the tutorial section of the game where the in-game map-screen refused to load and when I got lost and had to consult it, it just wasn’t there. Luckily, this issue seemed to resolve itself after a quick restart of the game.

Verdict:


Although it may be a little too slow-paced for some, Hunting Simulator 2 offers a robust simulation which faithfully recreates many of the most important aspects of real-world hunting. There are a huge variety of distinct weapons to try out on the three included maps which are of an impressive scope and scale. The whole thing comes together to create an immersive world and an overall experience that the right player will enjoy getting lost in; quite possible for many hours at a time.


Just so you’re aware! In order to facilitate a review this product was given to our organisation free of charge.

Tracks – Review

Nowadays a lot of people are understandably using some of their newfound time at home to take up now hobbies and pursue new interests. Unfortunately, whether you’re thinking of trying your hand at bird-watching or attempting to learn a new craft, getting the materials you need to try out new hobbies can be quite a large investment and one that can be especially frustrating if in the end it turns out you don’t even like the activity you have poured hours of time and copious amounts of your hard-earned cash in to. That’s where Tracks comes in – a fun way to try your hand at train set building on PC and Xbox, without the hefty price tag!

Piece by piece


As the title would suggest, Tracks is a game centred around a virtual wooden train playset. After completing a brief tutorial, players are set loose in sandbox mode where they can create their own world entirely from scratch or set about massacring one of the beautifully crafted example maps thoughtfully included – presumably to provide players with building inspiration. The secondary ‘passengers’ mode changes the pace a little, pitting players against a barrage of sporadically placed stations and the thankless task of ferrying constantly spawning groups of passengers between from selected platforms to their destinations.

In both modes, gameplay is comprised predominantly by the placing of various wooden track pieces to create routes. This is a far more relaxing process than other sandbox titles, with pieces aligning themselves to a selected end piece of track and placed through the simple action of clicking. Pointing your cursor left or right lets you create bend pieces and scrolling the mouse wheel either up or down will raise or reduce the height of pieces to create tall bridges or steep declines. Joining a new track piece to an existing line will automatically create a junction or crossroad piece. If this all seems a little too automated for your tastes; an option exists to manually switch between pieces, to undo your placed track or to clear your current piece and select a new existing area of track to alter.

These track creation mechanics are the perfect blend of simple but powerful. They are intuitive enough to be accessible to anyone who just wants to pick up the game and jump right into playing whilst also providing enough depth to be a viable method of creating and managing more complex designs. The simple control scheme has the added benefit of allowing players to rapidly place track without having to worry too much about making any mistakes that could stop the line from working – an invaluable tool when you’re battling against some of the time-limited passengers found outside sandbox mode.

Making a scene


Of course, you are not just limited to placing track pieces, with a wide variety of props being available to provide some much needed decoration to the surrounding environment. There is a surprising depth and variety in the items on offer with a pleasing plethora of objects, buildings, vehicles and plants to choose from. All the decorative items follow a low-poly toy-like aesthetic and being able to spend some time meticulously creating cutesy little rural scenes is a nice change of pace from using the more speed-oriented track creation tools.

I found building up a few small villages complete with local shops, parks and cottages, all populated by wooden figurines, made the eventual act of joining them together through stations and lengthy railways considerably more rewarding. Some props, like the houses, come with a good number of alternate colour options which helps prevent props from becoming too samey when you want to place them in large numbers. You can label your creations through placing town signs, which allow the player to input and display a text, and when placing the little wooden people you can choose between a number of clothing options, each corresponding to a profession or seasonal style.

If you feel the included set of props are not enough for you, heading over to the Steam or Microsoft store allows you to pick up one of the Tracks DLC packs on offers. So far there is only one available, a free pack which offers a collection of more urban themed props; a nice addition to the more countryside oriented items of the base game. With more DLC and future updates in the works, it will certainly be nice to have the option of choosing objects from a few more themes in future.

In addition to placing items, players can directly alter the environment from a customisation sub-menu. You can change the colour of the backdrop, time of day, add grass or mud to the base plate, add fog and, best of all, activate a winter snowfall weather effect which coats your buildings in a soft layer of snow. Props with lighting elements, like streetlamps or the windows of houses, automatically illuminate in darkness which helps you create some really stunning night-time scenes. There is even the option to alter the colour of the train and a slider to add wear-and-tear to its paintjob. The overall level of customisation in Tracks is staggering and means it’s it all too easy to become wrapped up in creating your own little world.

Full steam ahead


After you have created your dream track, at the press of a button the player can enter the first person train driving mode. As you can probably imagine, piloting a toy train is a very simple task. The player can move the train forwards and backwards and choose to steer it either left or right at branches or junctions. There is also the option to outfit your train with a whistle which doesn’t serve any real purpose beyond adding an additional degree of intractability.

In spite of the controls being a little on the floaty side, which can become quite annoying at times, appreciating the intricacy your meticulously crafted miniature marvels from a fresh perspective is still an undeniably magical experience. It is unfortunate that the lack of an ability to control the train outside of the first person perspective can often be a little frustrating. Sure, you can jump into first person to set the train going at a certain speed before jumping back to building but there’s nothing worse than subsequently having to helplessly watch your precious locomotive speed off a section of track you had yet to finish building.

The addition of a secondary set of controls accessible from the building screen would completely negate this issue and add a quicker way to test out sections of track without breaking up the flow of the game by having to constantly switch between views.

On the right track


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The soundtrack could too benefit from a few new additions. Although the title’s selection of piano melodies is excellent and contributes greatly to an almost overwhelming atmosphere of serenity and calm, its thirteen tracks all sound fairly similar and can become rather grating after a long period of play.

Furthermore, with the sheer power of the creative tools which are made available to the player, implementation of the Steam Workshop would be an excellent way for the community to more easily share their creations and download the work of others.

Verdict:


With charming visuals, excellent customisation options and an array of powerful building tools at your disposal, Tracks is an all-round great sandbox title. Serving as a perfect introduction to open-world gaming for kids and a nostalgic, calming experience for adults; creating a colourful railway system with Tracks successfully rekindles the child-like joy of creativity in everyone.


Just so you’re aware! In order to facilitate a review this product was given to our organisation free of charge.