Category Archives: Playstation Reviews

Streets of Rage 4 – Review

We’ve had a few weeks now to get to grips with SEGA’s recent revival of the iconic Streets of Rage franchise. A sequel to 1994’s Streets of Rage 3, it’s safe to say that Streets of Rage 4 has been a long time coming. After an over 25 year hiatus and at the hands of a new development team, can this newest entry hold a candle to the legacy of its predecessors, or would the Streets of Rage franchise been better off left in the past?

Style and substance


The most apparent feature of Streets of Rage 4, and a notable departure from its predecessors in the series, is the game’s stunning hand-drawn art-style. The four playable characters you are presented with as you start the campaign are excellently designed and beautifully animate. Series veterans will certainly appreciate the newly reimagined renditions of classic characters, who retain enough of their original moves and animation to feel nostalgic and familiar whilst also gaining some brand-new moves which keep them feeling fresh and interesting. Of course, this entry brings a few new characters into the roster, like the slow-moving but ridiculously strong cyborg powerhouse Floyd or the fast-but-weak Cherry who provide a distinctly new experience, even for series pros.

The Streets of Rage series has always been famous for its soundtracks, and this new entry certainly continues that legacy. The soundtrack is comprised of thirty-five memorable tracks. Ranging from house to hardcore and techno to trance the sheer number of genres encompassed by the music here means that people of any musical taste will certainly find something to love in this soundtrack. The only valid issue that can be raised at the soundtrack is the fact that the looping of certain tracks, particularly in the first few stages, can become a little repetitive after a while. The music is otherwise excellent and I can count on one hand the few other fighting games which even come close to having a soundtrack half as catchy and enjoyable as this one.

Chicken out


Gameplay in Streets of Rage 4 sticks pretty much to the established series formula. Each character has their own variations on light attacks, heavy attacks, jump attacks and a plethora of special moves at their disposal. These are activated through various button combinations which are all pretty intuitive, but still manage to be fairly challenging to master. Of course, it’s still possible just to sit back and enjoy random button-mashing your way to success on the lower difficulty settings. Luckily for less skilled players, dying in Streets of Rage 4 isn’t a very big deal. Upon loosing all of your lives, you are given the option to sacrifice some of your final score for an immediate resurrection and can sacrifice a little more to gain a few lives out of it. If you become really stuck, there’s always the option to start the stage again with a new character or difficulty setting selected.

Each of the game’s lengthy stages are comprised of first beating a couple legions of almost pathetically weak goons and then a climactic boss fight. The majority of stages also have a mid-boss fight, the difficulty of which should certainly not be underestimated. Although the re-use of some previously defeated bosses at the end of some of the latter stages in the game feels a teeny bit cheap each fight is still memorable and never fails to provide a good challenge.

These stages each take place in a different environment, the background sprites for which are lavishly detailed and excellently drawn. Different lighting conditions allow for some impressive lighting and reflection effects which, despite being drawn on the sprites themselves rather than being rendered by the in-game engine, manage to look absolutely phenomenal. The majority of backdrops in Streets of Rage 4 look so great that they will leave you wishing they were available as downloadable desktop wallpapers. To spice things up, levels are also littered with various destructible objects including traditional wooden boxes, rubbish bins and even telephone boxes. Destroying these objects can drop either money or food, which serves as a health item. Watching your character beating up an oil barrel until it spouts out a perfectly crisp roast chicken is not only hilarious, but can provide a much needed health boost in the more intense combat sections.

Knockout blow


Pleasingly, each stage can be tackled multiplayer, through the form of good old-fashioned local co-op. Up to four players can team up locally to help each other in the fight (provided you have enough controllers of course) and there’s even an option to play with someone remotely through the online co-op system. Unfortunately, online co-op only supports one additional player, instead of the usual four, but just the option to experience co-op gameplay remotely is a very nice addition. Your other players are even given the option to play with the character’s original styled pixelated sprites active, which is surprisingly practical and goes a long way to stopping you becoming confused about who is who on what is an otherwise very crowded screen.

Verdict:


Streets of Rage 4 is a rare example of simple concept perfectly realised to its full potential. With incredible visual flair and an amazing soundtrack, beating up wave after wave of enemies has never been more enjoyable. For those who are not fans of the beat-em-up genre, things may seem overall a little simplistic but for those yearning for something to quench their insatiable thirst for arcade violence, it doesn’t get better than this. Ironically in a series titled Streets of Rage, in this entry at least, there’s absolutely nothing to be angry about!


Just so you’re aware! In order to facilitate a review this product was given to our organisation free of charge.

StarCrossed – Review

The last time we covered StarCrossed was when we sat down for a lovely chat with Francesca Carletto-Leon, the game’s narrative designer, and discussed her mission to create a co-op game that brings people together in more meaningful ways. With the game debuting on the Nintendo Switch and Xbox One last week and lockdown ensuring the majority of us have far more time to spend interacting with members of our own households, there’s never been a better time to grab a controller, kick back on the couch and defeat some baddies – together.

Shooting stars


StarCrossed takes two eager players to the Nova Galaxy in order to try and protect the mystical Harmony Crystal from a plethora of intergalactic nasties and their legions of ghoulish minions. There are five playable characters for players to choose from, each possible character combination is accompanied by a specific set of charming character-to-character interactions which are presenting in the game’s visual-novel style cutscenes. Although fairly basic, the plot is nevertheless engaging and provides a few much needed moments of rest between high-octane segments of gripping gameplay. There are a couple memorable moments per character and the overall theme of friendship and unity is sure to leave your heart suitably warmed by the time the credits roll.

The heart-warming plot is accompanied by a set of cutesy magical-girl inspired visuals. The full-size detailed sprites used for the various characters in their selection screen and cutscenes are excellently drawn with an instantly recognisable StarCrossed style which blends elements of high-fantasy, fairy-tale lore and traditional sci-fi. The 3D combat sprites used in gameplay are equally stunning, watching the neon lit minimalist renditions of the characters dancing around your screen as you play feels just right and helps evoke the nostalgic feeling of a traditional arcade game. The occasional use of 3D animated background rather than traditional 2D background sprites is a nice touch, adding an interesting degree of depth to scenes.

The music, whilst not incredible, is still a pleasant listen and provides a soothing accompaniment while you play. Similarly, the occasional voice lines are delivered with great enthusiasm and the good casting choices compliment the character design. Although voicing the entire script would be understandably out of the question because of its long length, just a few more special attack lines would be a nice touch and help prevent the audio from becoming a little repetitive.

Fun for all the family


Gameplay in StarCrossed is unapologetically co-op oriented. Controls are mapped like a standard space-shooter but with a pretty significant twist. Players attack not by firing individual projectiles as you would probably expect, but rather by bouncing a shooting star between them, manoeuvring the star to collide with enemies in order to cause damage. Players can also press a button to spin kick, increasing the star’s speed and damage. This requires quite tricky timing and in my experience proved to be a lethal distraction from dodging the large number of enemy projectiles which are often on screen at the same time. Players also have a unique ultimate attack, which is charged when damaging enemies and unleashed for extremely high damage.

The surprisingly steep difficulty curve and the constant introduction of new enemy types and variations keeps things engaging and ensures that players master communicating and coordinating with each other to survive, connecting well with the plot’s overarching theme of unity. Unfortunately, the frequent reuse of enemy types feels a little repetitive at times but luckily the robust auto-save system and a spattering of memorable boss-fights sprinkled throughout the campaign prevent things from ever becoming truly frustrating.

Switch it up


Designed from the ground up for local co-op, StarCrossed has a plethora of options to help you play together. Friends can split play between the keyboard and a USB controller or close friends can huddle up together for the more intimate “split controller” mode which splits controls between a single controller. The keyboard bindings are sufficient but a little fiddly and I would highly recommend playing the game on any controllers you have available. Xbox One and PlayStation 4 controllers are supported on PC but Steam Big Picture Mode managed to do a decent job at mapping the various controllers I managed to dig out for testing. Just be aware that your mileage with this feature may vary.

Naturally, the game transitions perfectly on to the Nintendo Switch because of the immediate availability of two controllers. The colourful visuals are an excellent fit for the platform and StarCrossed stands out as one of the, if not, the best co-op titles available for the Switch. On the other hand, Steam‘s ‘Remote Play Together’ feature is a big win for the PC version of the game, allowing the otherwise local coop only title to be played pretty seamlessly online – without the other player even needing to own the game! Outside this, the console and PC versions are otherwise identical so you can be confident you will get the full experience no matter which version you pick up.

Verdict:


Cute and colourful, StarCrossed is a overall a confident co-op title with a set of excellent visuals, good writing and a diverse cast of playable characters. With its few shortcomings only becoming apparent when the more repetitive segments begin to overstay their welcome, the title nevertheless succeeds in crafting a memorable experience that will certainly bring you closer to those you choose to share it with.


Just so you’re aware! In order to facilitate a review this product was given to our organisation free of charge.

We Need To Go Deeper – Review

We Need to Go Deeper, a procedurally generated undersea adventure, promises to test even the strongest friendships with its chaotic four player co-op. With an intriguing premise and undeniably eye-catching visuals, does We Need To Go Deeper pack enough punch in the gameplay department to keep itself from going belly-up?

Extraordinary voyages:


Inspired by the world of Jules Verne’s Voyages extraordinaires We Need to Go Deeper‘s setting, ‘The Living Infinite’, is an unexplored abyss at the heart of the Atlantic Ocean full of tantalising treasures and terrifying creatures.

An intrepid undersea explorer, the player is tasked with diving into these endless depths to seek out fame and fortune. Of course, this impossible task could never be accomplished alone and as such you are offered the option to bring three budding crewmates along for the ride. If you, for whatever reason, are unable to convince your friends to accompany you to certain doom, you can either try (and fail) tp do it solo or (more realistically) bring along three bots for the ride. The solid character creator helps you customise your sailor to your liking, with more clothing options available for unlock as you play.

The majority of this gameplay takes place in your submarine, which players have to work together to pilot. The cramped interior of your vessel houses panels which control the various aspects of the ship. There’s a big captain’s wheel which lets you steer, a torpedo bay and gunner’s seat – careful management of which is essential for utilising your ship’s cannons – and a whole room dedicated to controlling the allocation of your ship’s precious power.

It’s a great system, which requires a surprising amount of skill to master. It’s also quite a lot of fun not to be anything but the master. Desperately scurrying around your ship screaming at your crewmates to turn off the lights so you can power up your engines for a mad escape from an impending octopus is an awful lot of fun.

Dark corners of the sea:


Giant octopi are not your only undersea adversaries of course. With a roster of abominations a little more Lovecraft than Verne, I and my terrified crew had to battle singing sirens, multiple-mouthed monstrosities and even, at one point, a towering cyborg!

Every so often you are given the option to leave your ship and explore various dungeons in the form of ancient ruins. These take the form of brief side-scrolling sequences usually packed with an abundance of enemies and a veritable treasure trove of coins. You can spend these coins in shops located in explorable civilisations. These civilisations also offer the opportunity to recruit unique companions and even pets to accompany you on your journey.

The type of civilisation, which ranges from mer-people inhabiting sunken pantheons to ancient Egyptians living in an ancient undersea dome, is dependent on the biome. There are currently ten biomes in We Need To Go Deeper, each with its own distinct environments, enemies and lore. Seeing the charming hand-drawn style take on a variety of looks as your progress is very refreshing and the new enemy types that come with each biome have you always anticipating what you might encounter next.

A sinking ship:


Unfortunately, the superb in game visuals don’t extend to the game’s title screen, which I found unnecessarily clunky with multiple menus that often overlap. The screen transition between pressing the play button and the start of the game is uncomfortably laggy, for seemingly no reason, and the in-game graphics options can be described as sparse at best.

On the flip side, it’s clear that the development team spent all the time they could have spent polishing the menus perfecting the far more important gameplay but it’s a nevertheless a little disappointing that my first impression of a game did not at all reflect its overall high quality.

Luckily, this is a relatively simple issue to fix. With the gameplay perfected and the admirable frequency of high-quality content updates the game has been receiving in the months since its release, I am sure a sparkly new menu will be in the works some point down the line and this minor nag will no longer be an issue.

On that note, this is definitely a game you find yourself revisiting – a lot. There are very few recent co-op games of this quality around anymore, and the inclusion of a level-based progression system was an excellent choice, with enticing unlocks to keep you thirsting for more. The procedural nature of the game’s map and the capacity for random events also helps make repeating the early biomes after an unlucky death a little less frustrating than some other games in the genre.

Deep dive:


We Need To Go Deeper is overall represents a very strong point in the roguelike genre. Its highly unique visual style is a great way of drawing you in to what is a finely tuned and deceptively deep co-op adventure that will have you and your friends coming back to for a reliably great experience time and time again.

If you fancy a go at undersea exploration yourself, feel free to check out We Need To Go Deeper on Steam using the link below!


Just so you’re aware! To aid this review a copy of  We Need to Go Deeper was provided free of charge by Deli interactive.

Donut County – Review

Donut County is a unique indie puzzler, featuring an adorable racoon intent on stealing trash and a town full of animal residents just waiting to be stolen from. Released over a year ago, does this award-winning indie adventure still hold up, or does age expose some previously unseen holes?

A hole lot of fun:


The player is dropped intoin the life of BK, a young racoon who has recently landed a new job at a start-up company that collects trash by the careful manoeuvring of portable remote control holes. Each level begins with the player clicking somewhere to summon a hole which, although initially tiny, gradually grows and grows in size with the more objects (and even unlucky Hole County residents!) that end up sucked into it.

Larger holes reward your progress by allowing you to swallow even larger objects which in turn help to increase the size of your hole, creating a supremely satisfying gameplay loop. This satisfaction is further amplified by the fact that your hole-size is reset in-between each of the self-contained sandbox levels. Working your way up from a tiny rabbit-hole that struggles to suck up even a few blades of grass to a colossal sink-hole that effortlessly absorbs entire skyscrapers just doesn’t get old no matter how many times it is repeated.

As the game progresses, you gradually unlock new abilities for your hole – such as a catapult which allows the player to hurl certain objects back into the air. These are used to facilitate the majority of the puzzles found throughout the game. Whilst these puzzles are not particularly difficult, even I who considers myself extremely puzzle-inept never had to resort to an online guide, they are spread-out enough and provide just the right level of mental stimulation to keep what would otherwise be a fairly simplistic game engaging throughout.

Heart and design:


A soothing yet upbeat soundtrack compliments Donut County‘s pleasing pastel aesthetic which is just soft enough to evoke feelings of calm and warmth yet still vibrant and quirky. It’s a perfect fit, and one that makes playing a highly relaxing experience. Although minimalist in design, levels each have their own unique and memorable look – usually matching the personality or appearance of their associated characters. Moving from a rural countryside farm to the likes of a desert to a city street helps provide a much needed pallet swap every now and then.

This colourful coat of paint makes Donut County perfect for younger gamers. It’s not too difficult, and they would certainly enjoy the charming design and appreciate the pleasing tactility of the physics engine.

This colourful coat of paint makes Donut County perfect for younger gamers. It’s not too difficult, and they would certainly enjoy the charming design and appreciate the pleasing tactility of the physics engine.

Not without its holes:


I found these cut scenes often overstayed their welcome – an issue amplified by the lack of voice acting. Reading dialogue boxes accompanied by randomised babble, à la Animal Crossing, simply isn’t engaging enough to carry a game that tries to focus so heavily on story. Sometimes the humour was a little jarring too. In comedy it’s natural that for every laugh, there are a couple of jokes that fall flat. In most circumstances is not an issue but when the vast majority of dialogue is comprised of jokes, it starts to feel like every other line is yet another wearisome punchline.

There are also long “texting” scenes in which you sit and watch your character receive SMS messages, stirring occasionally to either send a duck emoji (which does nothing) or clicking a single on-screen prompt to reply. Without the colourful aesthetic of the over world or the animated bouncing of characters to keep your mind occupied, these scenes are quite frankly monotonous. They also seem like a bit of a missed opportunity. Implementing an option to choose which reply you send would be a great way to add a small element of replayability to the game.

This lack of replayability is probably the biggest issue with Donut County. Clocking in at slightly over two hours, this short length is simply not enough content for the over £10 PC price-tag and the total lack of replayability and reliance on a linear story makes this a title harder to recommend than it otherwise would be.

The hole picture:


Despite its flaws, Donut County is nevertheless a charming and memorable adventure. In spite of the fact it may struggle a little to wholly justify its hefty price-tag at its rustiest points, frequent half-price sales since launch make this title just a little too tempting to pass up, even for those who don’t feel wholly convinced. As a little bonus, the low seasonal sale prices make Donut County a great option as a Christmas gift for your Steam friends.

Speaking of sales, as if by magic, Donut County is on a half-price discount for a few days! You can check it out by clicking on the link below.

SuperEpic: The Entertainment War – Review


Disclosure: To aid this review a copy of  SuperEpic: The Entertainment War was provided free of charge by Numskull Games


SuperEpic: The Entertainment War, an indie-developed sidescroller, successfully delivers a best-in-class Metroidvania adventure that confidently mocks the slew of AAA games it has managed to supersede.

In the world of SuperEpic, greedy corporate pigs (literal pigs might I add) have bought out every game developer and are now pumping out mass-produced highly-addictive mobile titles that have entranced the populace and are draining their wallets at about the same rate as a Steam Christmas Sale. The adorable raccoon protagonist Tan Tan and his facially deformed llama steed, Ola, must whack, slap and thwack their way through swathes of RegnantCorps’ evil employees to put an end to their vile videogames for good.

Conveyed through cutscenes of pleasing animated slides and walls of text, the plot is certainly not one of subtlety. Although it does little to reinvent the wheel in terms of its retro presentation and simplistic writing, the plot of SuperEpic provides a decent number of chuckles and more importantly creates a perfect unobtrusive skeleton upon which the game’s excellent gameplay can be hung.

A classic Metroidvania, SuperEpic boasts large hand-crafted levels that can be explored in a non-linear fashion. The handy minimap is an excellent addition, and one that would have greatly benefitted other games in the genre. Being able to avoid confusion makes exploring levels and finding the plethora of hilarious hidden secrets dotted throughout levels even more rewarding.

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Exploration is littered with enemy encounters and gripping boss fights. Revolving around three attacks – a quick attack, guard break, and uppercut – the combo-oriented combat is deceptively simple. Whilst button mashing may get you through most levels, far more rewarding is the intricate mastery of each induvidual move and learning of unique button combinations.

The combat is also extremely satisfying, largely due to the brilliantly meaty sound effects and neon hit indicators. Furthermore, the impressive variety of unlockable weaponry – raning from household cleaning tools to comedic hammers allows the combat to retain a fresh feeling throughout the game and leaves you thirsting for more by the time the credits roll.

Handily, SuperEpic also includes an unlockable “roguelite mode”, a procedually generated challenge which gives you an even greater opportunity to amass huge quantities of the coins dropped by every enemy.  These coins can be used to further upgrade your weaponry and armour and add an additional satifsying dimension of progression.

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SuperEpic is also jam-packed with minigames. Scanning QR codes scattered throughout levels opens webpages containing short flash games on your mobile phone. Tongue in cheek parodies of popular mobile titles like Flappy Bird, these minigames are presented in-universe and provide an awful lot of world building. The use of QR codes also ahad me surpsingly immersed in the games’ universe, although I can’t help but feel such technology would be of greater service to a more plot-oriented title. Nevertheless, I would highly recommend going out of your way to try and exploring thouroughly in order to experience all of these optional extras.

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In addition to your mobile phone, for PC players I would also recommend bringing a controller to your play session. Whilst the developers have done an adequate job of mapping the 4-button control scheme to your keyboard, a controller really helps recapture some of the button-mashing nostalgia of your childhood.

Alternatively, the Nintendo Switch version of the game works like a dream. Speedy loading times and smooth-as-butter performance make curling up in a warm bed with the switch in handheld mode and therapeutically punching pigs to a pulp an absolute treat. The handheld version also helps you to appreciate the sublime 32-bit sprite animation, which is beautifully detailed and clearly the recipient of a great deal of love and care.

It’s not just the animations that have recieved love and care either. Everything from the pause screen in which you can practise your combo attacks to the detailed and varied enemy designs seems meticulously crafted and as such can offer a game that has as much, and often times far more, polish than the majoirty of AAA titles. This sustained superiority helps emphasise the importance of the games’ overriding message.

SuperEpic is in its very execution a commentary on the modern gaming market. In an age of over-inflated budgets and multi-million pound videogames stuffed to the brim with predatory microtransactions and vicious payment models, it’s really heartening to see a good old-fashioned indie title that is able to so severly outclass its competition.

Overall, SuperEpic: The Entertainment War is able to comfortably fulfil its lofty ambition to deliver a satisfying parody of the modern games. Although its writing may be too on-the-nose for some, this is more than made up for in the game’s gameplay which is the absolute pinnacle of indie sidescrolling action.

If you’re interested in playing SuperEpic: The Entertainment War, the game will launch on the Steam Store later this month in addition to the Nintendo eShop, Microsoft Store and Playstation Store.