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Morphies Law: Remorphed – Review


Disclosure: To aid this review a copy of Morphies Law: Remorphed was provided free of charge by Cosmoscope GmbH


To say Cosmoscope‘s Morphies Law fell victim to Murphy’s law would have been a fairly ironic turn of events – and it was very much almost the case. In spite of a lacklustre Nintendo Switch launch, Cosmoscope admirably kept hard at work acting readily upon player feedback and nurtruing the game’s strong core fanbase. Almost one year later and Morphies Law has finally relaunched (or Remorphed) and accompanying it’s new PC release is a whole host of fantastic new features.

It’s not hard to say the concept behind Morphies Law is a very unique one. You shoot your enemies, or even your allies, to absorb their mass and grow and you lose your hard earned mass when hit. It sounds extremely simple, but the gameplay houses a surprisingly great deal of depth.

For one thing, matches are inherently self-balancing. The best players of either team will naturally become the biggest having absorbed the most enemies. A bigger body makes them bigger targets and a bigger target is one that can be hit more easily by a less skilled and less accurate player. Every match of Morphies Law plays quite a lot like the Call of Duty series’ Juggernaut gamemode, and it’s an awful lot of fun.

The goal of a match isn’t always just to gain the most mass either. Your aims vary drastically between game modes; from the most basic  “Morph Match”, a weight based take on a common deathmatch, to the manic “Head Hunt”, a pandemonic bid to capture your team’s misplaced giant head.

Mass also affects the capabilities of your “Butt rocket”, a rectal take on a jetpack, which, on the contrary to my basic understanding of physics, seems to become far more effective the heavier you are. Your size can also change the routes available to you while you navigate your environment. Huge morphies can jump to high vantage points and even trample over powerful fans which would send less fortunate lighter players flying to their deaths. Being small also has some perks, allowing you to dash in between the legs of enemies and find hidden tunnels through which you can scurry like a pesky neon-painted mouse.

A morphie high up in the food chain

The extremely fun gameplay is accompanied by a set of fantastically designed and delightfully varied maps. Although in the original release a few of the maps were veering a little towards the annoying side – seriously, as cool as fighting on an oil-flooded tanker sounds, the sliding around did get pretty infuriating – the Remorphed update has addressed this, and even added a few new sites to explore.

The refined version of the original maps and the all new ones added in Remorphed each bring their own unique set of hazards and a distinct theme. One match you could be exploring an ancient Aztec temple whilst the next takes you to a western town that is constantly sinking into quicksand.

Although very different, each map still adheres to the game’s great overall art style; a colourful day of the dead pastiche with plenty of cacti and neon lighting. The game’s soundtrack is a fittingly over-the-top mix of Mexican melodies, which can be pretty catchy at times. If your character’s stock aesthetic of full skeletal body paint is a little too subtle for you, can dive into the game’s host of extensive customisation actions.

One can change the body and face paint with presets, or even use the more in-depth editor to mix and match to create your own whacky design. Even animations can be customised by choosing new emotes or match introductions. Most impressive of all is the weapon customisation system, which has you combining two parts (a primary fire and a secondary fire) to create a gun that is utterly unique to you. Additionally, the new weapons added in Remorphed all make solid additions to your arsenal and are certainly appreciated.

Levelling up grants new weapons and piñatas, which are the game’s crate system. By hitting open piñatas you can obtain cosmetics. You’ll be pleased, no doubt, to hear that there are absolutely no microtransactions in sight as the crates and currency, metal nuts, can be gained solely by levelling up completing quests.

On a technical level, optimisation is good with the game running well on the Nintendo Switch whilst looking decent and running extremely smoothly on PC whilst looking a little nicer. The menus look good and are easy to navigate and UI is clean and can be understood readily at a glance. One thing I would change is the game’s current hit sound. The current one is a tad underwhelming – being a little twinkling noise – and something with a little more “oomph” wouldn’t go a miss.

The game supports cross-play between the PC and Switch which is good at bolstering player numbers. For when you want a little alone time; you can always have a blast with the game in configurable offline modes with bots.

Overall, although the original Morphies Law was a good idea hampered by a lack of refinement; Morphies Law: Remorphed is a good idea perfected. With very strong and unique gameplay, that has only improved through the frequent developer updates, Morphies Law: Remorphed is a constantly evolving shooter that you won’t want to put down and gains a strong recommendation from me.

As a nice little bonus, try out Morphies Law: Remorphed for free by downloading the hilarious Steam Demo here. If you fancy a less flatulent version, you can buy the full game on both PC and Nintendo Switch.

BIGFOOT – Early Access Review


Disclosure: To aid this review a copy of BIGFOOT was provided free of charge by CyberLight Game Studio


“Bigfoot” is a name that will certainly strike fear into the hearts of hikers, park rangers and anyone who has ever accidentally flicked on to the Discovery channel after midnight. The ancient ape has been the star of numerous media exposés over the years, most famously with the TV masterpiece Finding Bigfoot which, even after 12 seasons, is yet to live up to its name. It’s only natural I suppose. Bigfoot is, of course, far too elusive to be caught, as evidenced by his successful evasion of the hordes of armed rednecks, I mean, highly qualified Bigfoot researchers that have been relentlessly pursuing him for decades.

I am only jesting of course; Bigfoot is undeniably fictitious – a fact of which I am certain that, deep down, even the most ambiguously qualified Discovery channel “Bigfoot specialist” is aware. In spite of this fact, it’s still undeniable that to wonder about the existence of the impossible is fun and to search for it is even more so. Perhaps it’s simply down to mankind’s primal desire to hunt something truly dangerous, or maybe just an act of escapism to try and free ourselves from the cushy constraints of suburbia with which we are bound throughout our lives.

BIGFOOT‘s banner art certainly showcases big feet

Whether performing daring bank heists or fighting aliens in invincible power armour videogames have always been an excellent medium with which one can experience the impossible. It seems a miracle that until Cyberlight Studio‘s 2019 title BIGFOOT, no videogames have capitalised on Sasquatch hysteria and presented audiences with a way to truly accomplish the impossible; a way to capture Bigfoot.


In 
BIGFOOT, intrepid investigators are tasked with locating four missing persons and foiling Bigfoot’s hijinks in one of two fictional National Parks: the densely forested Ross Lake in Arizona or Alaska’s snow-drenched Glacier Bay. Players can venture out on their quest alone or join up to four friends in an online match.

Taking out Bigfoot is not an easy task but, luckily, if players choose the Ross Lake map they are accompanied by a groovy and appropriately Scooby-Doo-esque camper van which is decked out with the very latest anti-Sasquatch gear. Hunting rifles, tacking bullets, flare guns, traps, tents and night-vision goggles are all there as you would expect although far more interestingly you are also provided with a set of eight motion-detecting remote cameras, a pilotable drone and a tablet with which to control them.

These high-tech gadgets form the crux of BIGFOOT‘s gameplay, which has you exploring a huge map in order to locate the missing, who have been unsurprisingly brutally murdered, whilst also hunting local fauna to make bait and setting up cameras and traps. It’s important to not get too carried away on your scout’s adventure however, losing track of the time and getting lost after nightfall is definitely not something you want to be doing.

Once back at your campervan you get to huddle up in your corner of choice and sit watching the cameras through your tablets on tenterhooks to see if your day’s preparation will pay off. Things actually get quite scary, as the sheer quietness of the surroundings, with only the crunch of leaves and the creaking of trees, begins to slowly but surely put you on edge. The camera’s beeps, which sound upon any detected motion, will send you scrambling in a panic to your tablet to desperately try and flick through the feeds in order to find the source – usually just a stray squirrel.

Things are even scarier still at Glacier Bay, which has players begin with almost no starting gear and, worse still, no comforting camper van. Instead, players have to venture into the forest completely unable to defend themselves in a mad rush to find as much equipment as they possibly can in the various desert log cabins strewn about the map.

Once you’ve finally trapped Bigfoot a couple of times, and unloaded about two hundred rounds of rifle ammunition into his posterior, his huge health pool reaches zero and it’s time to tie him up and triumphantly drag him back to your spawn area where you’ll be able to cage him and ship him off to tour zoos around the planet and be gawked at in disbelief by generations of tourists to come.

One of BIGFOOT‘s best gameplay qualities is that it does a great job of letting you know that you’re never really safe. As a player you’re always open to attack and your precious camper van or cosy little tent can’t do very much in the way of protecting you against an eight-foot tall beast. Your fear of the creature is further heightened by the solid map design, with dense forests that are very good at shielding him from view – often leaving you with only a brief glimpse of your furry attacker.

The blood-soaked human remains that can be found in buildings around the map are also an excellent way to provide a minor scare and help build a high level of suspense which, by your first encounter with Bigfoot, has reached almost tangible levels.

On the graphical front, BIGFOOT looks good. You are surrounded by lush and rich green flora, accompanied by some excellent sun effects and a set of sharp textures all powered by Unreal Engine 4. The game’s optimisation has also constantly improved throughout the title’s course of early access and the game runs very well without experiencing any sudden crashes even in multiplayer matches.

Slightly less good are the game’s animations which, although satisfactorily conveying the actions that they aim to convey, seem a little stiff at times and could use a little more work. In a similar way, the text in the game is also a little bit off, whilst there are no egregious errors and it conveys everything it needs too, the UI and loading screen text is sometimes phrased a little weirdly. Do bear in mind that the game is still in Early Access and due to the developer’s track record of frequent and very substantial updates, I am certain that these minor issues will be resolved by the time of a full release.

With an excellent premise, demonstrably great gameplay and positive developer input that helps moves the game forward every few months, BIGFOOT is an excellent title to pick up even in early-access. With friends or solo the gameplay experience is the pinnacle of gripping, delightfully tense and overall an awful lot of fun.

Rise of Liberty – Review


Disclosure: To aid this review a copy of Rise of Liberty was provided free of charge by Sandstorm Studio Inc.


It’s often quite hard to find indie titles that stand out in the current oversaturated gaming market. A market where game releases and are so frequent that even just the sheer volume alone of titles available on Steam is now overwhelming, if not quite frankly a little bit terrifying.

The indie Steam title Rise of Liberty stands out defiantly for two reasons. Firstly, its delightfully minimalist, yet still vibrantly coloured, sleek art-style that helps make the game visually pop, and secondly the fact that it manages to successfully tackle one of the most criminally under-represented historical settings in the media today.

The game’s Steam store cover

As the title would allude, Rise of Liberty is one of the few available games that takes players back to the 1770s in the U.S. of A. during the height of the Revolutionary War as a large-scale first-person tactics-oriented shooter.20190620192209_1.jpg

Being primarily a battle simulator, à la Mount and Blade: Napoleonic Wars, Rise of Liberty allows players to either re-create a handful of real-world historical battles or choose their favourite map and jump into a quick battle. With the choice of siding either with the revolutionaries or the British, picking from a plethora of maps that each bring their own unique feel and challenges and even the ability to configure the intricacies of individual spawn-waves, these quick battles are deeply-customisable and infinitely varied.20190620191813_1.jpg

The battles themselves can last for any duration of time that you would like, and be either grand-scale operations with lines upon lines of hundreds of troops on either side or just a swift twenty on twenty skirmish. You are even given the option to take a break from the action and relax as an omniscient spectator; flying around gaily and watching the carnage unfold. It’s quite amusing and very enjoyable to be able to pit 500 revolutionary soldiers against a rival side of 10 and just be able to sit back and watch the massacre unfold.

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If you don’t feel like stepping into the shoes of a sadistic god however, you will also find that participating in said battles is just as fun. You are given two customisable weapon slots and 12 unlockable items with which to fill them. Whilst most of these items do admittedly feel somewhat samey, there are afew standouts, like the devastating Hand Mortar or the whacky Axe Pistol, which serve to make these unlocks fairly desirable and present a good goal in what would otherwise be a somewhat aimless game.

The shooting mechanics are very heavily based upon the physics engine, with all gunpowder weapons firing some form of different-sized projectile shot. Whilst the guns themselves feel a little floaty, and the melee combat even more so, seeing your hit collide with a now ragdolling enemy and catching a glimpse of the flashing hitmarker gives the combat a surprisingly level of depth. 20190620191909_1.jpg

One thing to note is that whilst the UI elements, particularly those found at the top of the screen, are a little bit of an eyesore; they can be very easily disabled with a quick tap of the “o” key. Another important button is the “t” key, which activates the enthralling slow-motion which slows flying pellets and cannonballs down to a snail’s crawl and lets you truly appreciate some of the sheer chaotic beauty of the events unfolding before you.

Rise of Liberty is certainly a game at its best in spectacle. Although it may be janky in places, having only recently been released from early access, and still harbouring a fair number of bugs and odd gameplay quirks, its jaw-dropping scale and visual flair is second to none and elevates the experience to great heights.

Another small thing to note is that all this “jaw-dropping scale and visual flair” is very commendably optimised. In an age where it seems even browser level games require the latest I7 processor and a 4GB GPU, it’s definitely nice to see a game that doesn’t throw lower spec gamers under the bus. Not to mention the fact that the title’s very low price point, at only just over £5, even further defines its wide accessibility.

Whether you’re a fan of the time period in which it is set, someone struggling to find a modern game to run on their out-of-date hardware or just a fan of the more hands-on side of the strategy genre, and maybe even all three, then Rise of Liberty is an absolute must-have.

Hitman: Sniper Challenge – Review

Hitman: Sniper Challenge is an unusual entry in the Hitman series, and one that many people don’t even know exists. Despite being given away as part of the many pre-order bonuses for the incredibly divisive fifth entry to the series Hitman: Absolution, I’ll save my opinions on that game for another time, Sniper Challenge is a surprisingly robust experience and certainly worth a play.

Hitman: Sniper Challenge came entirely stand alone from Hitman: Absolution. If digitally bought on Steam, it has its own little tab in your game library page (similarly it had its own icon with download purchases on consoles) and when purchased physically, came as a special disk with its own box complete with specific cover art. This not only facilitated the clean menu aesthetic found in both Hitman: Absolution and Hitman: Sniper Challenge, but also makes the whole experience feel more like its own thing instead of just feeling like a mode for Hitman: Absolution (which I suspect it would have done if merely placed on the menu of that game).

Gameplay wise, Sniper Challenge is very different from the previous entries in the series; and even very different from the game it accompanied, Hitman: Absolution. Instead of surreptitiously sneaking into secured sectors whilst donning disguises at the drop of a hat (or more accurately, the drop of a guard NPC’s body), Sniper Challenge is (as the name would suggest) focused on sniping. This gives the game a more relaxed feel, fitting of a pre-order bonus – it is, after all, just the entrée for the full game of Hitman: Absolution.

Image result for Hitman sniper challengeThe physics, which is the predominant feature of all sniping games, is very solid. Bullets have drop over distance and a fair bit of travel time. Although, not entirely realistic (this is certainly not the sniping experience of found in an ultra-realistic game like ARMA III) the arcade type feel is fun and gives shooting just enough skill to feel satisfying but not overly frustrating.

One of the key features of a Hitman game is its locations: extravagant parties, lavish buildings and bustling highly public events. In this regard, Sniper Challenge is certainly lacking. It is completely excusable, as a pre-order bonus, for the game to have one map there is, however, no reason for said map to be so boring. An annual company party in Chicago hardly compares to an international fashion show at a French Palace, an Italian vineyard turned drug factory or even the shady underbelly of Hong Kong. Still, despite its small scale, the essence of a good Hitman map is there.

The mission takes place over a rigid 15 minute timescale (counted in the bottom left of the screen) with events set to happen at certain times, such as the deployment of guards or the target taking a phone call. This allows a true Hitman fan to approach the level similarly to how they would a level in a previous game – with meticulous planning. The inclusion of a timer on the UI is also handy, in Hitman: Blood Money I’d often find myself having to jot down the times things happened on a map by pen and paper with a stop-clock.

Speaking of the mission, Hitman: Sniper Challenge has what is probably the best pre-mission briefing in the series so far. Beautifully rendered, voice acted and timed to a very fitting score; the pre-mission cut-scene gets my blood pumping every time. If you are at all a Hitman fan, and missed your opportunity to play this game on release (and don’t intend on tracking down a key on shady sites) I would completely recommend watching the cut-scene on YouTube. It perfectly encapsulates all things Hitman and is like a little love-letter to the series. Ironically, I’m sure if Hitman: Absolution had been approached in the same kind of way as Sniper Challenge it would have been far better received by series fans.

What Sniper Challenge really lacks is replayability. Yes, there are numerous easter-eggs which can be unlocked for a score modifier and a fair few number of sniper upgrades up for grabs there is little else in the way of incentive to come back for more. Despite this lack of replayability however, it’s a very nice addition to your library (certainly a must-have for any self-purporting Hitman fan) and I do still find myself occasionally booting it up for just a couple of minutes more of sniper fun.